best yo la tengo song

In the original version of this list I wrote that Painful is where their “disparate influences congealed into a fully formed style of the band’s own, from early ‘60s folk and pop to the post-Velvets diaspora of noise and punk,” and that’s still a good summation. Painful is almost bookended by two versions of “Big Day Coming.” There’s a noisier, rocking take before the album’s final song that has an ersatz shoegaze vibe similar to “From a Motel 6.” That’s not the version we’re talking about here. Close. In “Pass the Hatchet, I Think I’m Goodkind” an almost funky four-note bassline plods along with no variation as torrents of noise from Kaplan’s guitar floods over everything. “Damage” is one of their most delicate songs even though it’s encased in a constant low grade buzz. It's officially “Autumn Sweater” season — both the garment and the 1997 Yo La Tengo song. I’ve listened to this song more than anything else Yo La Tengo have ever recorded. “Nothing to Hide” is pure bubblegum buried deep beneath guitar fuzz, and one of the most infectious songs the band has ever written. “Sugarcube” might be the band’s most perfectly crafted pop song. Record: Shaker single (1993) The typical Kaplan guitar solo takes the sort of guitar lines you’d expect from a traditional pop song and turns them into free jazz skronk. Album: Popular Songs (2009) Album: Electr-O-Pura / Camp Yo La Tengo EP (1995) This early song is a catchy folk tune with pop hooks (think brushed drums and an acoustic guitar playing an ascending three-note major chord riff) and Dylan-esque vocals from Kaplan. 1 year ago. The contrast between Hubley’s voice and the buzz of Kaplan’s guitar somehow makes this song both aching and anthemic at the same time. The subtle electronics of the song build up like a volcano until the roof of it pops off. But we’re talking about one song here, not the whole album, and “Detouring America With Horns,” the first song on the record, didn’t necessarily let the listener know what was in store for them. Our top ten Yo La Tengo songs. Album: May I Sing With Me (1992) May I Sing With Me is a transitional record in the band’s discography. It’s more than just the presence of strings and horns—it’s McNew’s voice, the echo of the drums, that combination of wide-eyed positivity and silent, internal sadness. I Am Not Afraid of You and I Will Beat Your Ass (2006) The solo on “Pablo and Andrea” is surprisingly straight-forward, and almost has the lilt of a pedal steel. If Yo La Tengo broke up in 1989 this would’ve been the song most likely to pop up on a Rhino college-rock compilation. They had experimented with noise in the past, but this was the album where they truly started to integrate their folk tendencies with their noise explorations. It’s the kind of slow-burn grower where the songs I love most today, at release, could very easily not be the songs I love most months or years from now. Hubley sings the title almost wordlessly, arcing the melody above a great guitar hook and a stolid bassline, finding tenderness within the noise. Hubley’s steady beat keeps the whole thing together. And yeah, go ahead and listen along, if you’d like; I did while I was writing this. Released 8 September 2009 on Matador (catalog no. It’s not the best song she’s sung, but it’s her best vocal performance. It aims for icy cool but it can’t hide the band’s fundamental warmth. “Tom Courtenay” / “Tom Courtenay (Acoustic)”. It’s been 25 years since Fakebook, the record where Yo La Tengo first released this song. It’s not like it celebrates drugs, though when Kaplan sings “I wish I was high,” he’s depressed, nerdy and resigned, interested less in feeling good than in not feeling bad anymore. There’s a hint of Suicide’s minimal dread in that organ tone, along with the psychedelic paranoia of Oneida. Earlier this month Matador released Extra Painful, a double-sized edition of Yo La Tengo’s 1993 breakthrough Painful. Yo La Tengo were already indie rock veterans when Painful first came out. It’s a lengthy, swirling, two-chord drone with barely whispered vocals from Kaplan. Shakers, handclaps and Hubley’s mechanical drumming keep the ship afloat and rhythmically enriched. In the liner notes of the CD reissue of the band’s first album, Ride the Tiger, Kaplan wrote about the band’s “timid folk-rock souls.” The first song on their third album isn’t a clean break from the college rock of Ride the Tiger, which was proficient but unspectacular and has aged relatively poorly compared to the rest of their catalogue, but its clean guitar and bouncy bass are underlined with a looping guitar squeal that plays throughout the entire song. Yo La Tengo burst back after 2003’s middling Summer Sun with one of their most powerful jams ever. Popular Songs is the twelfth full-length album by Hoboken-based rock band Yo La Tengo, released digitally, on CD, and double LP on September 8, 2009. And then 2003’s Summer Sun halted that momentum with a listless set of meandering songs. You know those songs that sound so sad that they pretty much always make you sad, but are so beautiful and moving that you still can’t stop listening to them? 28. Yo La Tengo - Popular Songs: Amazon.nl Selecteer uw cookievoorkeuren We gebruiken cookies en vergelijkbare tools om uw winkelervaring te verbeteren, onze services aan te bieden, te begrijpen hoe klanten onze services gebruiken zodat we verbeteringen … While the songs from Fade on the list are indeed the highlights of the album, I personally don't find them to be greater than many of the songs left off the list. The original album version is a big, anthemic rock song, something you blast from your car with the windows down or pump your fists along to at a concert. Stylistically similar to the number one song on our list, “The Story of Yo La Tango” was released more than a decade later, and over twenty years into the band’s career. Yo La Tengo burst back after 2003’s middling Summer Sun with one of their most powerful jams ever. And then 2003’s Summer Sun halted that momentum with a listless set of meandering songs. I'm guessing You Can Have It All is left off the list because it's a cover, even though it's one of my favourite things Yo La Tengo has ever done. Album: Electr-O-Pura (1995) The series of albums between 1993’s Painful and 2000’s And Then Nothing Turned Itself Inside-Out is almost flawless and saw the band grow and challenge itself in surprising ways. Album: Today Is the Day EP (2003) It’s catchy in a classical sense, like something Jackson Browne could’ve written, and it has a bit of edge with the drug references, but it never would’ve gotten played on regular rock stations when it came out. These aren’t complaints, though, as it’s a classic rocker and a winning stylistic exercise. Album: And Then Nothing Turned Itself Inside-Out (2000) It is their 7th album released on Matador and the eighth album to be given Matador's Buy Early Get Now treatment. Kaplan and Hubley sing the low-key “The Summer” together, but it’s her voice that sticks with me—a simple, pure, honest voice that makes this acoustic gem one of their most touching songs, even if the lyrics are a bit inscrutable. “Pass the Hatchet, I Think I’m Goodkind”, 3. I was expecting to miss the horns (or be disappointed by a keyboard-replica of them) but the song is easily strong enough to stand up without their embellishment. Album: Fade (2013) 2009’s “More Stars Than There Are in Heaven” might have the strongest such influence, and more than anything else in the band’s repertoire sounds like something that could be on a My Bloody Valentine album. Album: Electr-O-Pura (1995) Yo La Tengo kept getting better throughout the 1990s. Hubley had sung on Yo La Tengo records before Painful, but “Nowhere Near” was her coming out party. I hope people in 2014 know who Tortoise are. Again, they’re a really good rock band, and these are their 40 best songs. Most bands eventually coast on the goodwill of their early work, but Yo La Tengo have remained vital into their fourth decade. McNew, who has released a few albums of tender four-track pop under the name Dump, first took lead on a Yo La Tengo album with “Stockholm Syndrome.” The concert favorite is a warm and tightly written look at romantic confusion, sung with McNew’s Neil Young-ish high-pitched sigh of a voice. Since 1992 the lineup has consisted of Ira Kaplan (guitars, piano, vocals), Georgia Hubley (drums, piano, vocals), and James McNew Garrett Martin edits Paste’s games section. It’s less of a song than a blurry, indistinct impression of a song, but it’s something I could listen to dozens of times in a row. The husband-wife team of guitarist Ira Kaplan and drummer Georgia Hubley started the band in Hoboken in 1984, and released four albums with a variety of partners and sidemen and on a handful of labels before incorporating bassist James McNew on the 1992 full-length May I Sing With Me. Kaplan sounds in disbelief that the person he used to think about all the time is now a part of his life, and although it’s easy to assume he’s literally singing about his wife and bandmate the lyrics are both universal enough and non-committal enough to apply to almost any sort of relationship the listener has in mind. In “Pass the Hatchet, I Think I’m Goodkind” an almost funky four-note bassline plods along with no variation as torrents of noise from Kaplan’s guitar flood over everything. It’s a wordless journey as cathartic as any song with vocals, and has both the loose charm of improvisation and the smartly designed structure of a pop song. Album: I Can Hear the Heart Beating as One (1997) Ole 856-2; CD). Yo La Tengo are massive softies: My Heart’s Reflection is one of their many beautiful, rather smoky love songs with half-sung, half-spoken vocals. There’s not a lot of common ground between the two songs on Electr-O-Pura subtitled “Hot Chicken.” Whereas “Flying Lesson (Hot Chicken #1)” is a pulsing rock dirge with bursts of noise, “Don’t Say a Word” is an aching love song with almost wordless vocals from Hubley and no percussion. They have a lot of songs that sound like improvisational jams. Swans! The first song on the record, which fans call the “slow Big Day Coming,” is a long, hypnotic lullaby built around a circular organ melody, Kaplan’s whispered vocals and tasteful guitar feedback. Thus ends another perfect Yo La Tengo album---their third, by the way---and thus ends any objectivity I’ve tried to establish with this review. Hell, they were already indie rock veterans when people were still calling it college rock, with a history that stretches back to 1984. Like “Big Day Coming”, the band has released multiple versions of “Tom Courtenay”, one of their most popular songs. Album: And Then Nothing Turned Itself Inside-Out (2000) And Then Nothing Turned Itself Inside-Out can seem like a downer at first—other than “Teenage Riot” sound-alike “Cherry Chapstick,” it’s an album full of quiet, understated, bittersweet love songs. Built around Hubley’s serene vocals and a stately organ line, “Nowhere Near” is an assured and matter-of-fact love song for adults. Album: I Can Hear the Heart Beating as One (1997) The next year they released their breakout record Painful on Matador, a partnership that endures to this day. They’re about as likely to play a three-minute pop gem as they are a forlorn folk song, a 10-minute one-note drone, a cover of a classic hit from the ‘70s, or a crazed, 20-minute noise jam. To mark the release of the Jersey trio's 15th album, we dig into their catalog for the best of the best. I don’t know if “Drug Test” was a college radio hit in 1989 but it should’ve been. And they do it all with the same level of proficiency, confidence and humility. “Ohm” is a great example of picking an idea and plowing through it until you’ve exhausted all of its possibilities. Album: Painful (1993) In a way it was the unofficial debut of the real Yo La Tengo. Kaplan and Hubley have a great knack for writing love songs that are tender and poignant but never schmaltzy. Album: President Yo La Tengo (1989) It’s not just the room that got heavy—the multiple organ parts in this song are thick, unrelenting blasts of sound smothering the polyrhythms kicked up by a stripped-down drum set and some hand percussion. This WFMU marathon version has Yo La Tengo being demoted to … Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube. This slow-burning epic starts off mellow and grows into a surprisingly powerful (and noisy) tour de force. They don’t have a lot of songs that do both, and the best one in that small subset is this song from Electr-O-Pura. Like most of And Then Nothing Turned Itself Inside-Out, this song avoids the noise and distortion and focuses on ethereal organ and acoustic guitar strums, underpinned with brushed drums and McNew’s bass melodies, as Kaplan sings about the early days of his relationship with Hubley. Yo La Tengo occupy an interesting place in the world of indie rock, and I state this fully aware of the precarious implications of the term “the world of indie rock.” By all accounts, it is too vague to mean anything at all, though perhaps that’s why it’s a fitting term to frame Yo La Tengo. Album: Painful (1993) Fakebookis mostly an album of covers but one of its few originals is also one of the band’s most beloved songs. It sounds a bit like the somber, ghostly folk music of Jackson C. Frank, but with some muted organ drones and high bass notes keeping it aloft. Album: I Can Hear the Heart Beating as One (1997) Album: Painful (1993) Painful is where Yo La Tengo really came into their own, and mid-album track “Sudden Organ” introduced what became a longstanding subgenre of Yo La Tengo songs: heavy freakouts on one of those old ‘60s electric organs that can sound like a thick, impregnable monolith when played properly. Obviously, the final three tracks are meant to divide listeners and add a sense of daring to an otherwise relatively safe album, and that I like them all---along with every other song on Popular Songs ---isn’t going to be something that’s universal. 2009’s “More Stars Than There Are in Heaven” might have the strongest such influence, and more than anything else in the band’s repertoire sounds like something that could be on a My Bloody Valentine album. If you want, feel free to imagine Casey Kasem’s unforgettable voice counting down each song as you read through this thing, in what would’ve been the best episode of American Top 40 ever. She can devastate without overemoting and while barely budging off a note. They reached an early peak with “I Heard You Looking,” the final song on 1993’s Painful, and a piece they still regularly play at concerts today. I hope people in 2018 know who Tortoise are. With its textures and polyrhythms “Autumn Sweater” sounded like a love song written by Tortoise when it came out in 1997. Our top ten Yo La Tengo songs. The best of them is “Little Eyes,” one of the few songs to break through the bland uniformity of the record’s production. Toch is de aanhang van de band langdurig en gestaag groeiend en speelt de band vandaag de … Gossamer webs of sound that pulse around a staccato bassline and muted drums. With Extra Painful taking over our turntables this month, let’s look back at the band’s best songs. Yo La Tengo discography and songs: Music profile for Yo La Tengo, formed 1984. Album: Fade (2013) Built around an organ, a shaker and two drum kits, “Autumn Sweater” is austere but rhythmically and emotionally rich. If Yo La Tengo broke up in 1989 this would’ve been the song most likely to pop up on a Rhino college rock compilation. Sadly One Direction’s song of the same name isn’t a cover. The video for this short pop blurt starred the now-defunct lo-fi faves Times New Viking masquerading as Yo La Tengo, which made perfect sense: At a time when incredibly noisy, incredibly catchy pop songs were making a major comeback among the record collector set, Yo La Tengo whipped up “Nothing to Hide” to remind everybody that they’d perfected this particular type of song decades before. This hauntingly beautiful bummer of a song could be a lost country classic exhumed by these noted historians of pop music, but it’s just another Yo La Tengo original aimed to break your heart with Hubley’s pristine voice. I'm happy that Blue Line Swinger and Nowhere Near made the top 10, but I think overall if you include the top 20 you have a pretty balanced list of YLT's best … If White Light / White Heat era Velvet Underground tried to make an AM radio hit, it probably would’ve sounded like “Sugarcube”. It was an immediate sign that they weren’t the same band anymore. All Rights Reserved, 14. It turns the modest aspirations of the lyrics, with the band predicting a big day ahead while taking it slow and playing Rolling Stone covers, into an aching ode to making music for the love of making music. “From a Motel 6” might have a downmarket name but it seems “classy” in a way most of the band’s stuff isn’t, like it should soundtrack a Virgin Air flight or a W Hotel lobby. “Cornelia and Jane” is a showcase for her heart-breaking voice, which is Yo La Tengo’s greatest instrument. Kaplan and Hubley sing the low-key “The Summer” together, but it’s her voice that sticks with me, a simple, pure, honest voice that makes this acoustic gem one of their most touching songs, even if the lyrics are a bit inscrutable. I didn’t put it at the top of the list, but I’ve easily listened to this song more than anything else Yo La Tengo has ever recorded. Built around Hubley’s serene vocals and a stately organ line, “Nowhere Near” is an assured and matter-of-fact love song for adults. Each version strongly evokes different emotions, even though the lyrics, about a fictional movie starring Courtney and Julie Christie, avoid any sort of emotional reflection. Even the guitar solo, which is basically just an unruly clatter fed through who knows how many effects pedals, is tasteful. The original album version is a big, anthemic rock song, something you blast from your car with the windows down or pump your fists along to at a concert. They reached an early peak with “I Heard You Looking”, the final song on 1993’s Painful, and a piece they still regularly play at concerts today. Georgia Hubley’s voice might be flat but it isn’t affectless. Album: Popular Songs (2009) Kaplan’s guitar eventually gets louder and more erratic, colliding with the rhythm at odd angles and in clusters of notes that sound like they’re collapsing. It’s maybe the earliest of Yo La Tengo’s shoegazery attempts, a good year or so after that fad had died in England, and maybe that’s why it’s a bit chillier than the rest of Painful. On the Fade album closer, stuttering percussion, guitar washes and tasteful horns gently blur together with Hubley and Kaplan’s understated vocals into a minor triumph. © 2020 Paste Media Group. Unlike “Big Day Coming”, it’s a toss-up as to which one’s better. “No matter what I’m writing about, I always feel like I’m talking to Georgia and James. Album: I Am Not Afraid of You and I Will Beat Your Ass (2006) Compiled here are 15 (or so) essential Yo La Tengo songs, which mostly coincide with the band's best, though not exactly. It’s an immediate sign that they weren’t the same band anymore. After two minutes and change, McNew finally hits a second note, and then a third, and you realize this song actually has parts. List of the best Yo La Tengo songs, ranked by fans like you. “Tom Courtenay” / “Tom Courtenay (Acoustic)”. A spiritual successor to Painful’s “Sudden Organ” (you can find that particular chestnut at no. Album: Summer Sun (2003) Summer Sun is a bit of a letdown from the great run of albums the band put out throughout the ‘90s, but it has a few highlights. So here’s what Paste decided to do. (C) 2006 Universal Music Latino #Juanes #LaCamisaNegra #Remastered Bassist James McNew first played on the 1992 album May I Sing With Me, but Painful was his first album as a full-fledged member. Let us know your favorites in the comments, or better yet, send your comment to Yo La Tengo and see if the band will reinterpret it for you. Bassist James McNew, who has released a few albums of tender four-track pop under the name Dump, first took lead on a Yo La Tengo album with “Stockholm Syndrome.” The concert favorite is a warm and tightly written look at romantic confusion, sung with McNew’s Neil Young-ish high-pitched sigh of a voice. Album: Painful (1993) While the cover songs and Schramm's curling guitar might resemble the folk-tinged quartet that debuted with a self-released single in 1985, Yo La Tengo have been many places in … Popular Songs, an Album by Yo La Tengo. But what makes it great is Hubley’s background vocals. Album: I Am Not Afraid of You and I Will Beat Your Ass (2006) The acoustic version on the Camp Yo La Tengo EP is just as catchy but gorgeously delicate, with one of the best vocal takes of Hubley’s career. TheRealYLT. It’s an ambient delight. Album: Fade (2013) It has its dull moments. Each version strongly evokes different emotions, even though the lyrics, about a fictional movie starring Tom Courtney and Julie Christie, avoid any sort of emotional reflection. “Sugarcube” might be the band’s most perfectly crafted pop song. Yo La Tengo have a lot of quiet songs. Is this where Yo La Tengo realized how beautiful Georgia Hubley’s voice can be? It’s a miniature epic of ethereal noise, with Kaplan and Hubley harmonizing over his heavily processed guitar and McNew’s loping bassline for three blissful minutes, before launching into one of Kaplan’s noisiest and most volcanic guitar solos. The series of albums between 1993’s Painful and 2000’s And Then Nothing Turned Itself Inside-Out is almost flawless and saw Yo La Tengo grow and challenge themselves in surprising ways. “Pass the Hatchet, I Think I’m Goodkind”, 3. F ar from content to rest on their laurels as an institution in the world of indie rock, Yo La Tengo continue to challenge themselves on their 12th album, Popular Songs.What makes the album work is the tension between the band’s ongoing embrace of conventional pop song structures and their drive to experiment with novel soundscapes and genre influences. They’re mostly just wordless ahhhhs, but it’s a crucial element that elevates the whole song and also points to what will become one of the band’s most defining sounds. Yo La Tengo covered Fancy, Smile a Little Smile for Me, Rocket # 9, The Hokey Pokey and other songs. Complete your Yo La Tengo collection. Stylistically similar to the No. Posted by. The discography of Yo La Tengo, an indie rock band based in Hoboken, New Jersey, consists of fifteen studio albums, six compilation albums, fifteen extended plays, twenty two singles, two film score albums, four collaborative albums, and one album of cover songs. Occasionally Kaplan hits a discordant note, or lets out a guitar squeal, or otherwise adds an unexpected bit of emphasis to what he’s playing. With its textures and polyrhythms “Autumn Sweater” sounded like a love song written by Tortoise when it came out in 1997. It starts with Hubley’s soft voice on “Decora” floating atop a wash of guitar that has enough distortion and tremolo on it to pass for something off My BLoody Valentine’s Loveless. He never got a response. Okay, maybe I’m biased towards the epics and blow-outs. Even the guitar solo, which is basically just an unruly clatter fed through who knows how many effects pedals, is tasteful. Message Bookmarked. “You know, yes, I would say the lyrics that I write are, if I’m not … ” He starts again. © 2020 Paste Media Group. Album: I Can Hear the Heart Beating as One (1997) Yo La Tengo made a major creative leap forward with 1992's May I Sing with Me, where their yin-and-yang mix of quiet and loud finally began to work as well as it was meant to, but 1993's Painful was where they truly hit their stride, their first album to confirm they were one of the best independent bands extant. Yo La Tengo turned 30 this year and just released a double-sized reissue of their 1993 album Painful. Instead of reconstructing my top 20 list, I’ve expanded it to a top 40, spanning the entirety of Yo La Tengo’s 30-plus-year career. It’s less of a song than a blurry, indistinct impression of a song, but it’s something I could listen to dozens of times in a row. This gorgeous instrumental, driven by the sound of crickets and a quiet egg shaker, captures the wonder of sitting on a porch on a lazy summer night while idly plucking a guitar. Amongst many highlights was Mr Tough which was stunning. At the moment “For You Too” has made the best impression; sure, it’s the closest to a conventional pop song on the record, but like “Little Eyes,” it brings a sense of structure and motion to a record that otherwise threatens to drift away. The first few times you hear it you may not even register it as a pop song, but it’s a brilliantly fractured take on the kind of restrained, earnest, fundamentally mature-sounding love song that Yo La Tengo have explored many times. It starts with a lengthy instrumental intro that isn’t far removed from R.E.M. “Damage” is one of their most delicate songs even though it’s encased in a constant low-grade buzz. “Cornelia and Jane” is a showcase for her heart-breaking voice, which is Yo La Tengo’s greatest instrument. The acoustic version on the Camp Yo La Tengo EP is just as catchy but gorgeously delicate, with one of the best vocal takes of Hubley’s career. The typical Kaplan guitar solo takes the sort of guitar lines you’d expect from a traditional pop song and turns them into free-jazz skronk. Hubley had sung on Yo La Tengo records before Painful, but “Nowhere Near” was her coming out party. The solo on “Pablo and Andrea” is surprisingly straight-forward, and almost has the lilt of a pedal steel. The restraint is remarkable, especially since Kaplan routinely plays guitar like he’s one of those weird air balloon creatures at a used car sale. As with “Big Day Coming,” the Yo La Tengo have released multiple versions of “Tom Courtenay,” one of their most popular songs. That’d be a tall order for any band. Like their previous work, Yo La Tengo’s current output sounds gentle and hypnotic. Kaplan sounds in disbelief that the person he used to think about all the time is now a part of his life, and although it’s easy to assume he’s literally singing about his wife and bandmate, the lyrics are both universal enough and non-committal enough to apply to almost any sort of relationship. Ira sounds torn apart when he begins to sing as the seconds count down till the end of the record. The bad vibes are heavy on this 1993 single, which features a doom-laden, wayward riff from overdriven bass and guitar, occasional backward guitar flourishes, a drum beat that seems to be building to nothing in particular, and an out-of-nowhere outro that ends as abruptly as it starts. (For accuracy’s sake it could’ve been called “one man’s 20 favorite Yo La Tengo songs,” but that wouldn’t work as well on Google.) It might sound weird to commend the restraint of a band that’s partially known for very long jams and almost comical contortions during Kaplan’s unhinged guitar solos, but there’s always been a strong streak of restraint running through the band, and “Our Way to Fall” is a fantastic example of that. “Let’s Save Tony Orlando’s House” (named after a Simpsons joke) is one of the exceptions. It’s a lengthy, swirling, two-chord drone with barely whispered vocals from Kaplan. “Barnaby, Hardly Working” is a beautiful droning pop song and the best original the band recorded in the 1980s. It’s melodic yet noisy and one of the first Yo La Tengo songs that sounds fully like the band that released albums like Painful and I Can Hear the Heart Beating as One. There’s nothing flashy here but it’s one of the most powerful songs I’ve ever heard. Here is a list of Yo La Tengo's six best cover songs. These aren’t complaints, though, as it’s a classic rocker and a winning stylistic exercise. One of the album’s better efforts was rescued in an EP later that year and given a rollicking rock ’n’ roll treatment in the vein of “Sugarcube” and the original “Tom Courtenay.” The contrast between Hubley’s voice and the buzz of Kaplan’s guitar somehow makes this song both aching and anthemic at the same time. There’s nothing flashy here but it’s one of the most powerful songs I’ve ever heard. It turns the modest aspirations of the lyrics, with the band predicting a big day ahead while taking it slow and playing Rolling Stones covers, into an aching ode to making music for the love of making music. He invited Yo La Tengo to his high school graduation because they were playing a show in town that night. It’s not like it celebrates drugs, though—when Kaplan sings “I wish I was high”, he’s depressed, nerdy and resigned, interested less in feeling good than in not feeling bad anymore. Built around an organ, a shaker and two drum kits, “Autumn Sweater” is austere but rhythmically and emotionally rich. Archived. The music sounds cool and distant but Kaplan’s voice and words are warm and seductive.

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